Tag Archives: Jim Green

The DAM Bursts with Surprises

You don’t even have to step inside to see the art of the Denver Art Museum (a.k.a. the DAM): its ultramodern, extra-angular two-building exterior is a masterwork in itself, designed by world-famous architects Gio Ponti and Daniel Libeskind, respectively.

But once you do, you’ll discover a collection that’s remarkable for a mid-sized metropolis. While it runs the standard gamut from European painting to pre-Columbian artifacts, it’s especially strong in some unexpected areas, namely American Indian art and American graphic design.

But the biggest artistic surprise awaits in the bathroom: when you wash your hands, you’ll be treated to a round of “Row, Row, Row Your Boat,” courtesy of Jim Green’s notorious automatic singing sinks.

Museum of Contemporary Art Denver: From Mixed Media to Mixed Taste

Accessible by a long walking ramp, the MCA Denver bills itself as “the museum without a front door.” And to be sure, it does open wide to let the world in.

Eschewing a permanent collection, it stages ever-rotating, often highly provocative exhibitions that interrogate postmodern society and our place in it: existentially inclined short films by Yang Fudong, the wacky soundscapes of local artist Jim Green, even Damien Hirst’s famed mixed media installations.

And following a merger with The Lab, it now hosts some of the city’s most eye-opening programs—above all Mixed Taste, a seasonal series of lectures each comprised of two unrelated topics: imagine (if you can) the Human Genome and Leadbelly or Absinthe and Arctic Ice Caps.

You Gotta Hear It to Believe It: Jim Green

In a city known for its idiosyncratic tastes in art—including not just one but two giant blue animal sculptures—local visionary Jim Green fits right in, not least for the fact that you can’t actually see his work. What you can do is hear it: take a ride (or two) on his Laughing Escalator at the Colorado Convention Center; wash your hands in his Singing Sinks at the Denver Art Museum; pace the intersection of 15th and Curtis until you hear the whistles and hoofbeats of his Soundwalk rising up from the pavement grates.

Green’s recorded installations defamiliarize the mundane environment through which we usually move so thoughtlessly, startling us into laughter—and his exhibition at the Museum of Contemporary Art, continuing through January 3, 2010, is no different, centering as it does on whoopee cushions.